Saturday 27 August will see performances from He Didnt, Dead Anyway, and Haints.
Tickets will be priced £5 on the door, or can be purchased at a slightly discounted rate online at https://www.wegottickets.com/gappytooth
The estimated running times for the evening are as follows:
7.30pm - Doors
8pm - He Didnt
8.50pm - Dead Anyway
9.40pm - Haints
10.30pm - Curfew
Band information:
Haints
The Gappy Tooth team say: “An Oxfordshire trio, proffering power pop and punk in large nutritious doses. You can probably triangulate their sound from The Lemonheads, Jawbreaker, Against Me!, QOTSA, and a half-remembered pop song from your youth that now makes you simultaneously excited and depressed…or maybe we’re projecting there. Anyway, anyone looking for a butt-kicking rhythm and a head-niggling melody need look no further.”
More information:
Dead Anyway
The Gappy Tooth team say: “We’re incredibly excited to announce that we’ll be hosting the debut public gig of Gloucestershire’s Dead Anyway. They effectively deal in twisted trip hop, bleak mordantly funny poetry, and surreal supercilious sneers. A cross between Sleaford Mods, Dry Cleaning and a belligerently tipsy Lamb.”
“Kate’s poetry is angry, funny, clever and occasionally heart-breaking. With a keen ear and turn of phrase, she holds a mirror up to today’s world in all its sickness and absurdity while Marc’s musical experiments are endlessly surprising, beats and hooks that brilliantly underpin and never detract from Kate’s words. Their debut album is stunning” - Tonight’s Medicine
More information:
www.soundcloud.com/dead-anyway
He Didnt
The Gappy Tooth team say: “Their no-surrender apostrophe policy frustrates us, but we like everything else about this new Oxford solo act.”
“It’s sparse, precise and crisp, making as much use of space as it does dynamics and contrast [...]the sound is so carefully crafted. Slint would be proud of this otherworldly creation” - Nighshift.”
The latest offering from He Didnt opens with the beautiful, simplistic, and quite earthy tones of ‘King’ before a relaxed, assured vocal helps to mask the incoming massive guitar riffs that follow…a slower, darker, distortion-heavy sound that offers a minimalist rock opera of sorts.” - Oxfordshire Music Scene
More information: